Here following the program of the inauguration concerts scheduled at the end of this important work.
Saturday 19th March at 15.30 (local time) the organ will be officially presented by the members of the Artistic Commission that collaborated at the project since the very beginning.
There will be introduced the project’s develops, the technical peculiarities, short listenings of interesting stops and sound amalgama.
The organista, members of the Commission, will introduce the beauties of the sound playing some music chosen to underline some particular characteristics and colors of this new intrument.
OFFICIAL PRESENTATION - 19th March 2016
João Santos – Titular organist of the Sanctuary – Fatima
Eugenio Amorim – Professor of Composition at Superior school of music of Porto ESMAE
Antònio Esteireiro – Professor at Superior school of music of Lisbon ESML
Arch. Joana Delgado – Architect of the Sanctuary – Fatima
I CONCERT - 20 March 2016 - OLIVIER LATRY
The official inauguration concert will be played Sunday the 20th March 2016 at ore 15.30 by M° Olivier Latry.
French organist Olivier Latry is one of the most distinguished concert organists in the world today. One of three titular organists at the Cathedral of Notre-Dame in Paris, he is also Professor of Organ at the Paris Conservatory of Music and Organist Emeritus with the Montreal Symphony Orchestra in Canada, and he maintains a full schedule of concert performances appearing regularly as a soloist at prestigious venues and festivals, and with leading orchestras around the world.
Latry was born in 1962 in Boulogne-sur-Mer, France, where he began his musical studies. He later attended the Academy of Music at St. Maur-des-Fossés, studying organ with Gaston Litaize. From 1981 to 1985 he was titular organist of Meaux Cathedral, and at the age of 23 won the competition to become one of the three titular organists of the Cathedral of Notre-Dame in Paris along with Philippe Lefebvre and Jean-Pierre Leguay, the three of them succeeding Pierre Cochereau. In 1990 he succeeded his teacher, Gaston Litaize, as organ professor at the Academy of Music at St. Maur-des-Fossés, and then subsequently in 1995 was appointed Professor of Organ at the Paris Conservatory, where he continues to teach today along with his distinguished colleague Michel Bouvard.
Having performed in more than 50 countries on five continents, Latry does not want to specialize in any specific repertoire, but rather wishes to explore all styles of organ music, as well as the art of improvisation. In 2000, to celebrate Olivier Messiaen as one of the greatest composers of the 20th century, he performed three complete cycles (six recitals each) of Messiaen’s organ music, at the Cathedral of Notre-Dame in Paris, the Church of St. Ignatius Loyola in New York City, and St. Paul’s Cathedral in London. Latry has also inaugurated many significant concert hall organs around the world, including Verizon Hall (Philadelphia), the Palace of the Arts (Budapest), and the Musikverein (Vienna). In 2014 he performed the inaugural concerts at La Maison Symphonique (Montréal) and a concert as part of the inaugural concert series at the Royal Festival Hall in London.
In addition to concerts and teaching, Latry has made his mark through many recordings on the BNL label featuring music of Bach, Widor’s Symphonies Nos. 5 and 6, Vierne’s Symphonies Nos. 2 and 3, and the complete works of Duruflé. For Deutsche Grammophon he has recorded a transcription disc entitled Midnight at Notre-Dame, a disc featuring the organ works of César Franck, and the complete organ works of Olivier Messiaen. He has also recorded the Poulenc Concerto and the Barber Toccata Festiva with the Philadelphia Orchestra, and the Jongen Symphonie Concertante with the Liège Orchestra. His most recent recording on the Naïve label is entitled Trois Siècles d’Orgue Notre-Dame de Paris, which features music composed by past and current organists of Notre-Dame Cathedral.
In recognition of his distinguished work in the field of organ performance and teaching, Olivier Latry has received many prestigious awards and honorary degrees, including the Prix de la Fondation Cino et Simone Del Duca (Institut de France–Académie des Beaux-Arts) in 2000, and “Honoris Causa” Fellowships from the North and Midlands School of Music (UK) in 2006, and from the Royal College of Organists (UK) in 2007. He was also presented the International Performer of the Year award by the New York City chapter of the American Guild of Organists in April 2009, and received an honorary Doctor of Music degree from McGill University in Montreal in 2010.
Johann Sebastian BACH (1685 – 1750)
Fantasia e Fuga em Sol menor, BWV 542
Two Chorale Preludes:
«O Mensch, bewein dein Sünde groß», BWV 622
«Durch Adam’s Fall ist ganz verderbt», BWV 637
João Pedro OLIVEIRA (n. 1959)
«Hû yeshûphekâ rô’sh»* [first absolute]
Johannes BRAHMS (1833 – 1897)
Two Chorale Preludes, Op. 122:
«O Welt, ich muß dich lassen»
«Herzlich tut mich erfreuen»
Olivier MESSIAEN (1908 – 1992)
from Le Corps Glorieux:
«Joie et clarté des Corps Glorieux»
Maurice DURUFLÉ (1902 – 1986)
from Suite pour Orgue, Op. 5:
Olivier LATRY (1962)
II INAUGURATION CONCERT - 8 May 2016 - ANTONIO ESTEIREIRO
100 Years of German music – Max Reger e Karg Elert
III INAUGURATION CONCERT - 5 June 2016 - ANTONIO MOTA
Contemporary music including the Suite Mariale de Maleingreau.
IV INAUGURATION CONCERT - 10 July 2016 - FELIPE VERISSIMO
100 Yeras of Sacred Music
V INAUGURATION CONCERT - 14 August 2016 - GIAMPAOLO DI ROSA
Improvisation over Fatima anthems.
VI INAUGURATION CONCERT - 9 October 2016 - JOAO SANTOS
100 Years of French Music.